Home made Bongs when Your in a Money Bind

Home made bongs when you in a bind

Link to Herb.co Below

http://herb.co/2015/11/11/5-homemade-bongs-for-when-youre-in-a-bind/


Below is my version

Front

Side

Deep Purple- Shades of Deep Purple

Deep Purple

Shades of Deep Purple

I first heard this on vinyl, and I can truly say John Lord was awesome, and so was the rest of the band. They do some cover tunes that are just plain great. Hush, Hey Joe, etc.. If you wanna to hear a band at it's best this is the cd to get. That's the reason I'm buying it again, cause it was such a great one. John Lord rips his organ over and over again, plays it like the professional he is. This is truly one great product and you can take that to the bank. And Richie Blackmore is just plain awesome too. This is real rock & roll at it's best. My advice: Buy it and you won't regret it.

The album was not well received in the UK, where it sold very little and did not chart. In the US, on the other hand, it was a success and the single "Hush", an energetic rock track originally written by Joe South, became very popular at the time, reaching number 4 on the US Billboard Hot 100 chart. The good sales of the album and the intense radio play of the single contributed largely to the attention Deep Purple would get in their early US tours and also during the 1970s. Modern reviews of the album are generally positive and consider Shades of Deep Purple an important piece in the history of Deep Purple

Coil- Time Machines

Time Machines is Coil's landmark drone music album, released under the alias Time Machines. It consists of four tracks which are composed of a single tone, called a drone. Each tone represents a certain hallucinogenic chemical (see track titles). It is similar to Brian Eno's early ambient albums, except instead of creating an atmosphere of calm, it facilitates time travel, according to band founder John Balance. Each tone was tested and retested in the studio for maximum narcotic potency. John Balance described the album as an attempt to create "temporal slips"

1. "7-Methoxy-β-Carboline: (Telepathine)" – 23:10
2. "2,5-Dimethoxy-4-Ethyl-Amphetamine: (DOET/Hecate)" – 13:28
3. "5-Methoxy-N, N-Dimethyltryptamine: (5-MeO-DMT)" – 10:02
4. "4-Indolol, 3-[2-(Dimethylamino)Ethyl], Phosphate Ester: (Psilocybin)" – 26:51

Coil- Music to Play in the Dark Vol 1

COIL- Musick to Play in the Dark

It's hard to put the Coil experience into words. On the surface, it's just weird music, but underneath it all is deep symbolism, cosmic energy and some truely mind warping tones. John Balance and co. are definitely tuned into something on a much higher plane than the rest of us and MtPitD really illustrates this. One moment, the music is serene, peaceful and very relaxing. The next moment it's all torn away from you and the music takes a dark plunge, full of chaos. The first track, Are You Shivering, is quite chilling (not to make a bad pun), the sound penetrates you and chills the root of your being. Brocoli is another noteworthy track. I can't tell if this is some kind of strange joke. The lyrics don't give you a second to take it seriously. The music is a lot more structured than Coil had produced in the last few years and it's definitely welcome. You can tell a lot went into this recording and listening to it is a very rewarding experience.

Pink Floyd- The Endless River

The Endless River

"I think this is a lovely album. It's not a ground-breaking classic like Dark Side Of The Moon, Meddle or The Wall, say, (although there are musical references to all of them) nor does it have individual songs of the brilliance and beauty of Wish You Were Here or Shine On You Crazy Diamond, but in total it is a fine album with some genuinely beautiful music on it.

Put together from off-cuts from The Division Bell and then heavily re-worked and edited, this has been billed as a tribute to the late Rick Wright - and it's s fine tribute. There is plenty of his trademark keyboard sound, along with a lot of truly fabulous guitar work from David Gilmour. He's a great guitarist and there are very few people who can bring that degree of beauty and aching melancholy from the instrument. He's on fine form here, as is Nick Mason whose drumming perhaps doesn't get the recognition it deserves in creating the Floyd sound.

This is almost an ambient album in many ways, although there's more to it than that. There is an unbroken sequence of fairly brief tracks which are varied but hold together well as a unit. There are almost no vocals, just Steven Hawking speaking on Talkin' Hawkin' and a genuine song in the last track, Louder Than Words. Both are about the importance of settling disputes through talking and, appropriately, it is here that the absence of Roger Waters as a songwriter shows most clearly, because for me neither the melody nor lyrics are up to Waters' standard. It's a tiny blemish - not even a blemish at all, really, just a reminder - and the album as a whole is really good, I think.

This won't convert you if you don't like Pink Floyd, but if you do I think you'll really like this album. It's lovely music, beautifully played and produced, and I recommend it warmly."

Fripp and Eno- No pussyfooting

No Pussy Footing

It has been 35 years since King Crimson's Robert Fripp and the then-recently departed Roxy Music keyboardist Brian Eno joined forces to create "No Pussyfooting", an album that over the years would go down in history as one of the forerunners of what is now known as Ambient Music.
While music of this nature is now considered commonplace, back in 1973, it was quite a different story. When "No Pussyfooting" was initially released, critical reactions were quite mixed. Some didn't know what to think about an albums worth of sustained guitar lines looped through two tapes machines while others found the sounds embedded in the record grooves to be groundbreaking. Over time, the public slowly caught on to the innovative ideas heard in this album and it's now considered to be a timeless classic.
The original album contained two long tracks (one per side of the original LP). The opening track "The Heavenly Music Corporation" was recorded in August 1972 and consists soley of Robert Fripp's guitar being played through two Revox tape machines. The tape machines are manipulated by Brian Eno to create looped phrases and a massive wall of sound. The overall effect is beautiful and terrifying at the same time. Fripp would later perform similar music to this on his own coining the term "Frippertronics" to this guitar/loop technique.
The other track "Swastika Girls" was recorded one year later is more 'composed' in its over all structure. In addition to Robert Fripp's sustained lead guitar and frentic rhythmic guitar loops, Eno adds a busy synthesizer sequence to the music which repeats throughout the entire piece giving it somewhat of a base-structure.
After its initial release on CD in the early '90s, "No Pussyfooting" fell out-of-print and became a sought-after collectors item. Now in 2008, the album is available once again in its most definitive version - a remastered 2-CD edition that includes the complete original album plus the entire album played in reverse and a half-speed version of the opening track "The Heavenly Music Corporation". The reversed and half-speed versions of these tracks give the music a new dimension and offers a completely new listening perspective. While listening to the reversed version of the album, it's almost unnoticeable that the music is actually being played backwards. In fact, it almost sounds like alternate takes played forwards. As for the half-speed nearly 42-minute version of "The Heavenly Music Corporation", the music becomes a deep ambient drone and doesn't sound too different from today's artists who uses low drones as the basis for their music (think of the long-form drone works of Steve Roach or Robert Rich).
All in all, it's great to have this classic album available again. It has definitely been worth the wait. The music is as wonderful now as it was then and shows just how ahead their time Fripp and Eno were and still are. Without any hesitation, this newly remastered 2-disc edition of "No Pussyfooting" is HIGHLY recommended.

Roger Waters- Music from the body

Music From the body

Not for the faint-hearted listener, this 1970 soundtrack album to a medical documentary entitled "The Body" was created by avant-garde composer Ron Geesin & Pink Floyd bassist/singer/composer Roger Waters (Geesin & Waters would work together again on Pink Floyd's "Atom Heart Mother," but "Music From The Body" was their first joint project). The album is pretty wild stuff to say the least, with lots of experimental sounds, instrumentation, vocals and effects. The wonderfully goofy opening cut, "Our Song," with it's rhythmic sound collage of clapping, belching, farting and baby noises (accompanied by ragtime piano, no less!), pretty much prepares you for what will follow. But in between Geesin's far-out pieces (other highlights include the vocal experiments of "More Than Seven Dwarfs...", the spooky "Body Transport," and the fun "Mrs. Throat Goes Walking"), Roger Waters drops in to play some very nice, simple acoustic numbers, like "Sea Shell And Stone," "Chain Of Life," and "Breathe" (a very different song from the "Breathe" that appeared later on Floyd's classic "Dark Side Of The Moon," although it shares the same opening lyric: "Breathe in the air"). Finally, the rest of Pink Floyd themselves---David Gilmour, Nick Mason and Richard Wright---join Waters at the album's end for the uplifting finale, "Give Birth To A Smile." "Music From The Body" is definitely not an album to play at a party, but if you're a diehard fan of early Pink Floyd, then I think you'll enjoy this weird, wonderful record from Ron Geesin & Roger Waters.