David Gilmour
This a mellow but haunting albut, thats great to listen to when high on Weed
The relaxed, easy-going sound to album opener "Mihalis" sets the tone for the rest of David Gilmour's first solo album. Despite being away from Pink Floyd -- or perhaps because of his work with Pink Floyd -- there's a familiarity to these nine songs that prove Gilmour's immense worth to that band. From the grainy, almost boring cover shot of the album to the overall mellow sound, Gilmour seemed to be looking to counter his main band's bloatedness. The lack of hype makes this album all the more attractive. There's no spiraling, out-of-control madness or references to World War II; it's just straightforward, cozy guitar instrumentals and good songs. On "No Way" -- the album's best song -- Gilmour's lyrics demonstrate his headstrong manner of never giving up, both within and outside of Pink Floyd. Other great riffers include "Cry from the Streets" and "It's Deafinitely," a more up-tempo instrumental with lightly warped guitars at the beginning. "I Can't Breathe Anymore" reveals a trapped and claustrophobic musician, a guy who had to do his own thing for at least one album. There's no doubt this is a highly personal album, both musically and lyrically. Gilmour's voice is as smooth as ever and his signature style on guitar carries the album much further than any of Roger Water's solo efforts have ever done for him. All in all, a solid effort from a legendary musician.
