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Friday, February 28, 2014

Quick Silver Messenger Service

Quick Silver Messenger Service
This album was released in the spring of 1968, a year that produced a great deal of music that's now very hard to listen to. Even the Grateful Dead didn't hit their stride until the "Live/Dead" album of 1969. The Doors were in a slump, the Beatles were at each other's throats, and even the Rolling Stones wouldn't break their British Invasion mold and come into their own until the next year, with "Let It Bleed."
There's a gleeful sloppiness to this album. At this time, many garage bands were producing material of their own (remember the Strangeloves' "I Want Candy"?), but there's something different about Quicksilver Messenger Service. Though this sounds like a garage album, it's a garage album by a band of extraordinary talent and discipline.
From the opening notes of "Pride of Man," a grossly overlooked anti-war anthem that more peace advocates today should utilize, we're bowled over by the skill and quality of the band. In particular, the guitar majesty of the late John Cippollina leaves any number of current lesser imitators in the dust. The songwriting leaves something to be desired on most tracks, but Quicksilver Messenger Service was never a songwriters' band. They have the chops to cover shaky lyrics, and it's difficult to weary of listening to them.
In a day when studio tricks have washed out the human qualities of most rock bands, this album sounds like there's real human beings, playing in concert, right here. The very elements that make it dated make it desirable from a music lover's point of view. Not everyone will like it--ir represents values that have now gone out of date--but for those who appreciate solid playing and honest artistry in their rock, this is an album to be treasured.
 


Wednesday, February 12, 2014

Klaus Schulze- Dark Side of the Moog 5 & 6

Dark Side of the Moog 5 & 6
In Dark Side of the Moog Volume VI (6) -- Peter Namlook, Klaus Schulze, and Bill Laswell nail it again. Great synthesizer work, very old-skool sounding pads, wonderful, spacious drum work, the list goes on and on!

The CD opens with a track that never fails to make me squirm in my seat, simple, some would say plain, synth pads played while people speak into vocoders. The CD then turns into warm, smooth drum rhythms, giving the CD a bit of a lonely, chilling feel.
 
I won't give any more of this wonderful CD away! This is a MUST for the cd player, overnight. Something to tease your subconcious with when its defenses are down. This is the sort of music that absolutely magical nightmares are made of! This was my first DSOM CD, and is one of my favorites. So far, second only to DSOM V, though what I've heard of VIII is very impressive- I can't wait until it arrives!

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In Dark Side of the Moog Volume V (5)
If you are looking for good solid electronic music - ambient space music - this is one of a superb series of albums Klaus Schulz and Pete Namlook put together through the years. Enter in Bill Laswell on a few tracks (the liveliest of the psychedelic brunch) and you have a solid album. The special part of this album is a brief introduction by Bob Moog. Unfortunately, not the easiest disc to find but there are places you can find this.....