Moody Blues- Seventh Sojourn

Moody Blues-Seventh Sojourn

As the closing album of The Moodies' "classic 7" period, there's definitely a shift in dynamics and mood from the lighter (but thought-provoking), trippy and spaced-out (but fairly accessible) material from their earlier albums. On _Seventh Sojourn_, the mood is more somber and earthy, which was probably highlighted by the fact that the guys were going through a rough period around that time period. Also, the music, while still ethereal, wistful and touching, is a bit more earthy and straightforward.

The way I see it, the album is divided into two halves: The first half features the wispy, new age-tinged rock/pop that The Moodies are pretty known for, while the second half becomes more straightforward and edgy, as some of the tracks rock a little harder than usual.

"Lost In A Lost World" sounds a bit ahead of it's time, mainly because of the percussion. It reminds one a bit of The Beatles, yet it still sounds like a unique fusion done only the way The Moody Blues could have. Features new age, r&b and almost Indian flavors, but topped off with a funky drum beat and rhythm that sounds years ahead of it's 1972 release. The lyrics are deep and thought-provoking, and the luscious vocal harmonies are touching. "New Horizons" is an achingly touching tribute written by singer/guitarist Justin Hayward to his deceased father. The sad orchestrations, combined with Justin's plaintive vocals and the overabundant melody leaves an overwhelming effect. "For My Lady" is written and sung by flautist Ray Thomas. He's usually the writer of the Moodies' most whimsical tunes. While there's still a fair amount of whimsy here, the somber quality still outweighs anything else on this folk-ish track. "Isn't Life Strange" was written by bassist John Lodge, and the title pretty much speaks for itself, as it's a reflection on the stagnations and vicissitudes of life. The choiral-like chorus' are especially moving.

The second half starts off with "You And Me," which is a fairly upbeat rocker. The execution here makes this track sound the most dated, but, I personally like this aspect, as it actually sounds like something that could have come from one of the Moodies' 60s albums. "The Land Of Make Believe" sounds like a mid-tempo, but more sophisticated British-r&b track, especially during the main verses. "When You're A Free Man" features some nice chord changes (Dmin7 and E minor being the opening chords), and some gentle, but tasteful soloing from Justin Hayward. For some reason, some of the atmospherics on this track, particularly the slow tempo, the absorbing and lyrical solos, remind me slightly of Pink Floyd - mainly of their song "Time." Even the vocals (which may have been sung by Mike Pinder, I'm not quite sure) sound a bit like Pink Floyd's lead singer, David Gilmour. Yet, "Time" was released in 1973, and this was released in 1972. Very strange. "I'm Just A Singer (In A Rock And Roll Band)" seems to lighten up the mood a little bit, to an otherwise somber album. It's also (surprise!) the most hard rocking and upbeat on here.

As their most mature album, this is possibly my favorite from them, and that's not an easy thing for me to say. As such, if you're a fan of most of their 60s stuff, and haven't heard this, the somber quality of this album may take some getting used to. But, this shows them at their most sophisticated, mature, earthy and possibly pained (they would not return for another 4-5 years, and keyboardist Mike Pinder would leave.) Highly recommended.

Preferred Trendy Chemical Amusement aid for this Album: Weed, Barbituates